DGA Quarterly | Volume IV, Number 1 - Spring 2008 - click here to return to Table of Contents
 
James Cameron: The DGA Interview - Cover: Photograph by Michael Kelly
DGA Quarterly Features
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Summer 2008 - Volume 4, Number 2
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DGA Quarterly Feature Stories
Interview with James Cameron - click here to to read.


The DGA Interview:
In Search of the Miraculous

Although he continues to be a master of special effects and new technology, James Cameron’s focus is on storytelling, not flash. In the midst of shooting Avatar, his eagerly anticipated epic, he is exploring the potential of a digital 3-D feature.

By Jeffrey Ressner

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Kid Stuff

With the booming market for TV movies for teens and tweens, more and more directors are learning the secrets of working with young actors. A few of the leading practitioners share their experience on the set.

By Jeanne Dorin-McDowell

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His Own Private Universe

Few directors have had a more varied and unpredictable career than Gus Van Sant. His latest passion project is the story of slain and openly gay San Francisco city supervisor Harvey Milk.

By Shawn Levy

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Making History

Richard Schickel is best known as a film critic, but he has been making documentaries about movies for almost as long as he’s written about them. His latest—and most ambitious—is a five-part history of Warner Bros. studio.

By Henry Sheehan

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In the Screening Room:
Coming Home

William Wyler’s The Best Years of Our Lives is a film that has remained lodged in James L. Brooks’ head and heart for all these years. He explains its inexorable appeal.

By Rob Feld

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Setting the Scene

Whether it’s a fashion show in New York or Skid Row in downtown L.A., setting background is an essential part of making a film come alive. Assistant directors explain the art of making it real.

By Lyndon Stambler

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All Singing, All Dancing

The Hollywood musical has been declared dead countless times, only to rise up again singing and dancing. We take a look at the genre in its various incarnations over the years.


DGA Quarterly - Beginning Section
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Profiles
On the Job With…

UPM on the Run, Windy City AD, Local News Beat.

By David Geffner

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Independent Voice
The Good Fight

Karyn Kusama got off to a great start with Girlfight but descended into studio hell with Aeon Flux. As she rebounds with a new film, she reflects on lessons learned.

By Lael Loewenstein

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10 Questions
YouTube Speaks

YouTube co-founder Chad Hurley considers how the Internet site is trying to convert all those hits into a plan to make money.

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Funny Business
The Power of Pranks

The director of The Princess Diaries and Pretty Woman writes about his unconventional methods for keeping things loose on the set.

By Garry Marshall

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The Industry
Champagne and Popcorn

New luxury theaters are featuring high-end amenities. But does this enhance or detract from the movie-going experience?

By Annlee Ellingson

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Shot to Remember
Batman Takes Off

Christopher Nolan tried to shoot as much as he could of the climatic chase in Batman Begins in camera. He explains how he did it.

By Robert Abele


DGA Quaterly - The End section
Critic's Corner - click here to to read.


Critic’s Corner
My Friend the Director

The reviewer for Entertainment Weekly muses about the relationship between directors and critics.

By Owen Gleiberman

DVD Classics - click here to to read.


DVD Classics
Election Coverage

Hollywood has cast a cynical eye on the political process for years. We survey our changing national attitudes as reflected in films.

By Gary Giddins

Books - click here to to read.

Books
Comedy Master, Old Hollywood, and the New Wave

By John Patterson

Out of the Past - click here to to read.

Out of the Past
Beach Boys

Richard Lester dresses for the occasion on Help! as he directs the Beatles in the Bahamas.


Editorial Staff
Editorial Staff